7/28/2023 0 Comments Listz campanellaThe version of ‘La Campanella’ popularly performed nowadays is the third one published in 1851 in the enharmonic G-sharp minor. A few years later he produced a second version, removing a lengthy introduction, and changing the key from a minor to A-flat minor, presumably so that the big jumps would land on black keys rather than white ones, making it (slightly) easier to play. "La clochette" is relatively little known, and rarely performed. “La Campanella,” which is based on Paganini’s second violin concerto, forces the pianist to do unheard of things: awkward trills, huge leaps with both hands, and finger-twisting technique that no one had heard before even from Liszt himself.īackgroundLiszt wrote a first version of this piece and called it "Grande Fantaisie de Bravoura sur la Clochette de Paganini" in 1834, after he heard Paganini perform his own second violin concerto. ![]() He resolved at that moment that he would strive to do the same with the piano. He was said by his contemporaries to have been the most technically advanced pianist of his age. Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. The piano was passed on to Liszt most famous pupil, Sgambati.Sign up to listen & download > Liszt's magic bellWhen Liszt saw Paganini play for the first time, he realized that Paganini wasn’t just playing better than anyone else, he was playing the violin as well as it could be played. La Campanella by Franz Liszt (1811-1886) Franz Liszt was a 19th-century Hungarian composer, pianist, conductor, and teacher. This piano was sent to Rome in 1860 were Liszt played it till he died in 1886. The repertoire maestro Campanella has chosen here fits perfectly with the sound of the piano, late works influenced by thoughts on death and the old age. This fantastic Bechstein 247 is restored in 2010 in its original condition and now for the first time used for this first-class recording by Michele Campanella. ![]() ![]() He is internationally known as one of the major interpreters of the Liszt repertoire, and was awarded the Grand Prix du Disque three years in a row by the Franz Liszt Academy in Budaest. Michele Campanella is professor of piano at the Accademia. This collection of Liszt’s late works reflects the composer’s feelings about old age, the virtuoso brilliance of his earlier works replaced by sparser textures and experimental harmonies, including the dark and glittering Valses Oubliées, the impressionistic Nuages Gris and En rève, and the series of musical memorials to Hungarian artists and statesmen, Historiche Ungarische Bildnisse. ![]() This is a remarkable recording of the Italian pianist Michele Campanella performing a selection of Liszt’s late works on this historic instrument, in the grand and sumptuous Liszt salon within the 14th century Palazzo Chigi Saracini, the home of the Accademia Musicale Chigiana. In addition,Almagia knew that Liszt had links with Siena, as he had stayed there with Wagner and his family. $ įranz Liszt’s own Bechstein piano was donated to the Accademia Musicale Chigiana in Siena as a result of a warm friendship that struck up in 1938 between the owner of the piano, Roberto Almagia, and the founder of the Accademia, Count Guido Chigi Saracini.Īlmagia had bought it for his wife, but she had since died, and he was so impressed with the Count, he felt instinctively that the Accademia was the right place for the piano.
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